Leveraging Generative AI to Advance Creative Industries in the Publishing Sector: A Qualitative Grounded Theory Study
Abstract
The rapid expansion of generative artificial intelligence (GenAI)-based generative media is redefining the structures and functions of the publishing industry. In addition to enhancing efficiency and fostering innovative capabilities, this transformation raises fundamental questions concerning creative identity, authorship, public trust, and governance frameworks. Although a substantial body of the existing literature has focused on technological capabilities, the social, cultural, and regulatory dimensions of this transformation, particularly within local and context-specific settings, remain relatively underexplored. This study adopts a qualitative approach grounded in grounded theory to examine how generative media are perceived and integrated into Iran’s publishing ecosystem. Data were collected through semi-structured interviews with eight experts in publishing and technology and were analyzed using thematic analysis, structural co-occurrence analysis, and lexical analysis, leading to the development of a conceptual model. The findings indicate that generative media, as socio-technological systems, simultaneously enhance productivity and creativity while generating concerns regarding content quality, cultural homogenization, professional identity, and ethical responsibility. The core process identified as “redefining creative identity and local governance” explains the transition toward a hybrid publishing ecosystem. The proposed model provides a theoretical framework and practical guidance for balancing technological innovation with cultural values and public trust in the evolving publishing landscape
Abstract
The rapid expansion of generative artificial intelligence (GenAI)-based generative media is redefining the structures and functions of the publishing industry. In addition to enhancing efficiency and fostering innovative capabilities, this transformation raises fundamental questions concerning creative identity, authorship, public trust, and governance frameworks. Although a substantial body of the existing literature has focused on technological capabilities, the social, cultural, and regulatory dimensions of this transformation, particularly within local and context-specific settings, remain relatively underexplored. This study adopts a qualitative approach grounded in grounded theory to examine how generative media are perceived and integrated into Iran’s publishing ecosystem. Data were collected through semi-structured interviews with eight experts in publishing and technology and were analyzed using thematic analysis, structural co-occurrence analysis, and lexical analysis, leading to the development of a conceptual model. The findings indicate that generative media, as socio-technological systems, simultaneously enhance productivity and creativity while generating concerns regarding content quality, cultural homogenization, professional identity, and ethical responsibility. The core process identified as “redefining creative identity and local governance” explains the transition toward a hybrid publishing ecosystem. The proposed model provides a theoretical framework and practical guidance for balancing technological innovation with cultural values and public trust in the evolving publishing landscape.
Keywords: Generative Artificial Intelligence; Creative Industries; Publishing Ecosystem; Grounded Theory
1. Introduction
Creative industries occupy an increasingly important position at the intersection of culture, technology, knowledge production, and economic development. Publishing is particularly significant because it does more than circulate commercial products: it structures the production of meaning, mediates cultural memory, and supports the diffusion of knowledge across educational, professional, and public spheres. Contemporary accounts of the creative economy therefore treat creative production as a system in which human skill, institutional arrangements, intellectual property, technological infrastructures, and markets interact. Recent global evidence also shows that digitalization and artificial intelligence are becoming central drivers of change within the creative economy, affecting how cultural products are created, distributed, and consumed (UNCTAD, 2024).
Generative artificial intelligence has intensified this transformation. Large language models and other generative systems can produce, edit, translate, summarize, classify, personalize, and reformat textual and multimodal content at a scale that was previously difficult to achieve. In publishing, these capacities can be incorporated into idea generation, drafting, editing, translation, cover and visual development, marketing, audience analysis, and content distribution. Experimental research has shown that generative AI can increase the productivity of knowledge workers and can improve individual creative performance in some tasks (Noy & Zhang, 2023; Doshi & Hauser, 2024). At the same time, the same systems may reduce diversity across outputs, reproduce cultural tendencies, generate false or fabricated information, and create uncertainty about responsibility and intellectual property (Ji et al., 2023; Lu et al., 2025; WIPO, 2024).
These tensions are especially important in creative sectors because the value of creative work cannot be reduced to speed or efficiency. Creative production is linked to identity, originality, authorship, professional recognition, cultural diversity, and trust. The expansion of AI-generated text and images therefore changes not only workflow but also the meaning of creative agency. Research comparing humans and large language models has shown that current systems can perform strongly on divergent-thinking tasks, yet performance on constrained creativity tests does not resolve questions of cultural meaning, authorship, responsibility, or long-term creative diversity (Hubert et al., 2024). This distinction matters in publishing, where editorial judgment, contextual understanding, voice, and credibility remain central to the relationship between creators and audiences.
The problem is therefore not simply whether generative AI can perform publishing tasks. The more consequential question is how it is embedded in the social and institutional organization of publishing. Socio-technical approaches are useful here because they conceptualize technology as part of a broader configuration of actors, routines, infrastructures, institutions, and cultural expectations rather than as an independent technical force (Geels, 2004). From this perspective, generative AI becomes one component of an evolving publishing ecosystem. Its effects are shaped by professional norms, organizational capabilities, data access, skills, market structures, governance, and the ways in which human actors interpret and use the technology.
A second relevant perspective is media governance. Media governance focuses on the set of formal and informal rules through which media systems are organized and made accountable. It includes public regulation, professional standards, organizational rules, self-regulation, and other institutional arrangements that shape media activity (Puppis, 2010). The rise of generative AI makes this perspective particularly relevant because algorithmic content production raises questions concerning disclosure, accountability, copyright, data use, bias, editorial responsibility, and the preservation of public trust. International guidance increasingly emphasizes that AI governance should combine innovation with human oversight, transparency, accountability, rights protection, and context-sensitive implementation (UNESCO, 2021; WIPO, 2024).
The Iranian publishing ecosystem presents a useful context for examining these issues because technological adoption takes place alongside local cultural expectations, uneven infrastructure, institutional constraints, and evolving regulatory arrangements. This study investigates this context through the experiences of experts from publishing and technology. Its central concern was how generative AI can be used to enhance creative industries in publishing while preserving human creative identity, cultural values, and trust.
Accordingly, the study addressed four related questions: What roles and capacities can generative AI perform within the publishing industry? What cultural, ethical, legal, and economic consequences accompany its use? Which institutional and contextual factors shape its integration? And how can a grounded conceptual model explain the responsible development of a locally appropriate hybrid publishing ecosystem? By answering these questions, the study seeks to move beyond technologically deterministic accounts and to explain generative AI as a socio-technical and governance challenge as well as an innovation opportunity.
2. Literature and Theoretical Framework
The theoretical framework combines socio-technical systems thinking with media governance. In socio-technical theory, technological change is understood as a process that unfolds through interaction between technical artifacts and social structures. Technologies acquire practical meaning through organizational routines, professional roles, institutional expectations, and user practices. Geels (2004) argues that socio-technical systems include networks of actors and institutions, knowledge and cultural meaning, technologies, infrastructure, and regulatory arrangements. This approach is well suited to publishing because the introduction of generative AI simultaneously changes tools, workflows, skill requirements, organizational boundaries, and assumptions about authorship.
In creative work, the socio-technical perspective also helps distinguish augmentation from substitution. Generative systems may extend the range of ideas available to creators, accelerate routine production, and allow small organizations to perform tasks that would otherwise require additional labor. At the same time, a purely efficiency-based implementation may standardize outputs or weaken the professional role of human creators. Noy and Zhang (2023) demonstrated productivity gains when professionals used generative AI for writing tasks, while Doshi and Hauser (2024) found that access to generative AI enhanced individual creativity but reduced the collective diversity of outputs. A systematic review of generative AI in creative contexts similarly identifies both performance benefits and unresolved questions about creative practice, professional roles, ethics, and long-term socio-economic effects (Heigl, 2026).
The risks are not limited to creativity. Generative models may hallucinate incorrect information, reflect biases in training data, and reproduce dominant cultural patterns. A large review of hallucination in natural language generation describes factual unreliability as a persistent technical and evaluation problem rather than a minor implementation issue (Ji et al., 2023). Cultural tendencies are also empirically observable: Lu et al. (2025) showed that generative AI outputs can vary systematically with language and can reproduce different cultural orientations. For publishing, these findings make editorial verification and cultural sensitivity necessary components of any responsible AI workflow.
Media governance complements this analysis by asking how these capabilities and risks are governed. Puppis (2010) conceptualizes media governance broadly as the rules and arrangements that organize media systems. In the context of generative AI, governance includes copyright, attribution, disclosure, quality assurance, professional accountability, data protection, and organizational responsibility. WIPO (2024) emphasizes that organizations adopting generative AI need to identify intellectual-property risks and establish safeguards, while UNESCO’s Recommendation on the Ethics of Artificial Intelligence stresses human oversight, transparency, accountability, fairness, and the protection of cultural diversity (UNESCO, 2021). These principles are particularly relevant for publishing because the sector depends on identifiable authorship, rights management, trust, and the circulation of culturally meaningful content.
The combined framework therefore treats generative AI neither as an autonomous creative agent nor as a neutral tool. It is conceptualized as a component of a hybrid creative ecosystem whose outcomes depend on the relationship among technical capabilities, human judgment, institutional arrangements, and cultural context. This framework provided the interpretive basis for the grounded analysis undertaken in the study.
3. Methods
This study used a qualitative design situated within an interpretive-critical orientation to examine how experts in publishing and technology understand the integration of generative AI into publishing, while also attending to institutional power, cultural consequences, and ethical and legal concerns. The study followed a grounded-theory-informed approach using open, axial, and selective coding, complemented by thematic analysis, structural co-occurrence analysis, and lexical analysis.
The study population consisted of experts in the Iranian publishing industry with relevant knowledge or experience concerning generative AI. Participants were selected purposively and theoretically. Eight in-depth semi-structured interviews were completed. Theoretical saturation was reached after the seventh interview because no new code was identified, and the eighth interview was retained to complete and confirm the analytical set.
The semi-structured interview guide was prepared in advance and addressed the integration of generative AI into publishing processes, technological opportunities, cultural and ethical challenges, and conditions required for responsible development. Semi-structured interviewing was appropriate because it allowed the researchers to obtain expert interpretations and tacit professional knowledge while maintaining enough consistency to compare themes across interviews. Qualitative interviewing is particularly useful when the objective is to understand meanings, practices, and contextualized experience rather than to estimate population parameters (Patton, 2015).
The analytical process proceeded through several connected stages. First, interview material was reviewed and coded using open, axial, and selective coding in NVivo 12, moving from lower-level concepts toward broader categories and the core phenomenon. Second, codes and categories were organized through thematic analysis. Thematic analysis is a flexible method for identifying patterns of shared meaning across qualitative material (Braun & Clarke, 2006, 2019). The analysis generated four major themes: opportunities and benefits; challenges and barriers; resistance and doubts; and development and policy requirements.
Third, structural relationships among nodes were examined using coding-matrix queries and co-occurrence analysis. This stage identified concepts that appeared together and examined the structural centrality of innovation, efficiency, reader experience, quality, bias, and governance-related concepts. Because the software performed poorly with Persian text, codes and subcodes were translated into English before being entered for this part of the analysis.
Fourth, lexical analysis was performed using VOSviewer. The purpose of this stage was not to produce an independent statistical test but to compare recurrent vocabulary with the thematic and structural results. The analysis highlighted terms such as innovation, summarization, translation, quality, rights, bias, and editing. The convergence of thematic, structural, and lexical findings was then used to construct the final grounded conceptual model.
To strengthen trustworthiness, codes were reviewed with colleagues, summaries of interviews were returned to participants for feedback, and the analytical process and decisions were documented. These procedures supported the credibility and dependability of the qualitative analysis.
4. Results
The findings were derived from the combined thematic, structural, co-occurrence, and lexical analyses of the eight expert interviews. The three analytical layers converged around two broad axes: functional usefulness and innovation in content production, and governance, trust, and management of technological risk. Integration of these axes produced the core category of “redefining creative identity and local governance in the critical transition to a hybrid creative ecosystem.”
The thematic analysis identified four main themes: (1) opportunities and benefits, (2) challenges and barriers, (3) resistance and doubts, and (4) development and policy requirements. These four themes formed the primary conceptual structure of the findings and were subsequently examined through structural and lexical analysis. Table 1 summarizes the four themes and their coding evidence, while the complete coding matrix is provided in Appendix Table A1.
Opportunities and benefits. Participants generally described generative AI as a means of increasing efficiency, accelerating content production, and expanding the range of creative possibilities. The main subthemes were faster content production through drafting, summarization, rewriting, and translation; support for creativity and ideation through human-AI collaboration; personalization of content and reader experience; reduction of production costs and democratization of publishing; and the creation of new content types and multimodal forms. The coding output gives the strongest reference counts in this domain to “Support for innovation and Create new ideas” (B6: 8 files, 71 references) and “AI Writing & Translating Assistants” (B7: 8 files, 67 references). “Interactive and Engaging Reader Experiences” (B11) appeared in 6 files with 48 references, while “Automation of Production Process and Increased Speed” (B1) appeared in all 8 files with 38 references. Personalized content (B2) was recorded in 7 files with 39 references, creation of multimedia and interactive content (B4) in 7 files with 36 references, and reduced production and publishing costs (B10) in all 8 files with 33 references. These values are reproduced directly from the original coding table.
Challenges and barriers. Alongside perceived benefits, participants identified a broad set of quality, legal, ethical, and infrastructural risks. The principal concerns were hallucination and low-quality or inconsistent output; uncertainty about copyright, ownership, and data security; the need for human review and continuous quality control; algorithmic bias; black-box decision processes; and technical or cost barriers. The coding table shows that “Low Quality & Inconsistency” (D3) occurred in all 8 files with 33 references, while “Copyright and Ownership Issues and data security” (D2) appeared in 7 files with 28 references. “Data Bias” (D5) was present in all 8 files with 21 references. Ethical concerns (D1), decreased creativity and mental laziness in authors (D11), and content homogenization and repetitiveness (D12) each had 20 references. “Loss of Emotional Authenticity and Human Touch in Content” (D13) occurred in 7 files with 23 references. “Need for Human Review and Editing” (D15) and “Hallucination” (D16) each appeared in 5 files with 10 references.
Resistance and doubts. The third theme concerned the social and identity dimensions of technological adoption. Participants described fear of job displacement, doubts about the quality and authenticity of AI-generated work, cultural resistance to changes in established publishing practices, and concern that excessive reliance on generative systems could weaken professional identity. The coding table records “Fear of Job Displacement and Reduced Human Role & Reduce Wages” (D8) in all 8 files with 27 references and “Resistance from Traditional Stakeholders” (D9) in all 8 files with 33 references. The source analysis further notes that nodes relating to job concerns and distrust were linked to quality and bias concerns, suggesting that resistance was not purely emotional or technological but emerged from an interaction among technical unreliability, ethical uncertainty, and professional identity.
Development and policy requirements. Participants emphasized that sustainable use of generative AI in publishing requires conditions beyond technical adoption. The most important requirements were clear legal and intellectual-property frameworks; ethical standards based on transparency and accountability; investment in technical infrastructure and access; professional education and human-resource development; quality assurance and standardization; and institutional collaboration among government, industry, and academia. The coding output shows that “Legal and Copyright Regulations” (E3) was the most frequently referenced requirement, appearing in all 8 files with 51 references. “Ethical and Regulatory Frameworks” (E4) appeared in 7 files with 34 references, “Developing a clear strategy” (E12) in 5 files with 29 references, and “Training and Empowering HumanRresources and Audiences” (E2) in 7 files with 25 references. “Quality assurance and Standardization” (E11) had 20 references. The roles of government, private sector, and academia were also present in the coding output, reflecting the perceived need for distributed rather than purely organizational governance.
Structural and co-occurrence analysis. Coding-matrix and node-relationship analyses organized the coded material into four clusters corresponding to the four thematic categories. The strongest relationships occurred among nodes associated with innovation, efficiency, and reader experience, while preliminary or descriptive nodes had lower co-occurrence intensity. Figure 1 presents the co-occurrence network of publications concerning generative AI in scholarly publishing for 2020-2025, comprising three principal clusters - generative AI, automation, and workflow efficiency - with 48 nodes and a total link strength of 312. Figure 2 presents the NVivo 12 word-similarity clustering of the interview codes.
Lexical analysis. The VOSviewer lexical analysis and combined word cloud identified innovation, summarization, translation, quality, rights, bias, and editing as central terms in the interview discourse. Their overlap with high-frequency nodes in the thematic and structural analysis was interpreted as convergence across the three analytical layers. The lexical evidence reinforced the dual pattern running through the dataset: participants were strongly interested in practical gains from generative AI but repeatedly linked those gains to quality control, rights, bias, and human editorial involvement.
Integration of findings and core phenomenon. The integrated interpretation proposes that generative media function as a hybrid creative infrastructure. They can strengthen human creativity, increase speed, reduce some production costs, support multilingual production, and enable new forms of reader engagement. At the same time, they create new dependencies on algorithmic systems and intensify concerns about content quality, cultural homogenization, authorship, professional identity, and ethical responsibility. Consequently, participants did not describe generative AI as an autonomous substitute for human creativity. The value of the technology was repeatedly tied to human supervision, editorial judgment, and appropriate governance.
The core phenomenon identified was “redefining creative identity and local governance in the transition to a hybrid creative ecosystem.” This core category captures the central tension of the data: innovation is accepted, but its legitimacy and sustainability depend on arrangements that preserve human agency and cultural values. Causal, contextual, and intervening conditions shape this core phenomenon; action/interaction strategies lead to consequences; and the model includes a feedback loop through which outcomes are continuously evaluated and the context is revised. The resulting grounded conceptual model is presented in Figure 3.
Theme | Main content | Coding evidence (Files/References) |
|---|---|---|
Opportunities and benefits | Faster drafting, summarization, rewriting and translation; creativity and ideation; personalization; lower production costs; democratization; new multimedia forms. | B6: 8 files/71 refs; B7: 8/67; B11: 6/48; B2: 7/39; B1: 8/38; B4: 7/36; B10: 8/33 |
Challenges and barriers | Quality and authenticity; hallucination; copyright/ownership and data security; human review; ethics and bias; technical/infrastructure limits. | D3: 8/33; D2: 7/28; D13: 7/23; D5: 8/21; D1: 7/20; D11: 7/20; D12: 7/20; D15: 5/10; D16: 5/10 |
Resistance and doubts | Job insecurity and reduced human role; distrust of outputs; cultural resistance to changes in traditional publishing; professional-identity concerns. | D9: 8/33; D8: 8/27 |
Development and policy requirements | Legal/IP rules; ethical and regulatory frameworks; infrastructure; training; quality assurance; strategy; institutional collaboration. | E3: 8/51; E4: 7/34; E12: 5/29; E2: 7/25; E11: 6/20 |